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Thursday, July 29, 2010

TFBD Jul/Aug 2010 Series: Class 4 Notes

We're half way through the series... We've covered so much... and there is still so much more to go!

Here's what we did this class and how we added onto the choreography:


Warm-up


Basic Movements
Figure 8’s Down to Up
Figure 8's Up to Down (a.k.a. Maya)
Ribcage Circle
Torso Rotation
Shimmy



Choreo/Combo
Music starting at 3:09

Combo 4: Fig8 DU & Hip Circle

  • Fig8 DU db L (8ct)
  • Hip slide L (4ct)
  • Hip Circle db L CW (4ct)
  • Fig8 DU db R (8ct)
  • Hip slide R (4ct)
  • Hip Circle db R CCW (4ct)

Combo 5: Ribcage circle & Undulation

  • Ribcage circle CW starting left with a quarter turn left (8ct)
  • Undulation (8ct)
  • Ribcage circle CCW starting right (8ct)
  • Undulation (8ct)

Combo 6: Side sweep

  • Figure 8 (8ct)
  • Extend left leg out (8ct)
  • Forward bend half way, pivot to left diagonal (4ct)
  • Lift torso up to vertical (4ct)
  • Undulation (8ct)
  • Right hip drop (4ct)
  • Shimmy (8ct)
  • Pose (4ct)

Thursday, July 22, 2010

TFBD Jul/Aug 2010 Series: Class 3 Notes

Hi Ladies!
Class 3's goal was to get you into these exterior wave movements for your body, but also to get you settled into this first section of the choreography. Be sure to practice what we've learned so far and bring your "mind and body" connection with you next time because we're going to turn it up a notch in Class 4. Full speed ahead!


Class 3 Notes: Body Wave & Arm Waves

Warm-up / Review
Walking
Grapevines
Heel raises, squats, strattle squats, lunges, pushups, side plank
Hip lifts and Undulations
Hip Circles clockwise and counterclockwise


Basic Movements (in place)
Body wave
Arm wave/Snake Arms
Grapevine


Traveling
Walking with arm wave
Grapevine across the floor
Grapevine and arm wave


Choreo/Combo
Music starts at 2:26 of the song:
  • Grapevine and arm waves 4 x 8ct

  • Combo 3 Body wave & Hip Circle
    - Body wave, facing left diagonal, 8 ct.
    - Exterior hip circle clockwise while pivot body to right diagonal 4 ct, hip circle 2ct, hip circle 2ct.
    - Body wave, facing right diagonal, 8 ct.
    - Exterior hip circle counter-clockwise while pivot body to front center 4 ct
    - 1/2 turn over left shoulder.


    Cool Down

    Enjoy!
    Lily
    www.LilyBellydance.com
  • Thursday, July 15, 2010

    TFBD Jul/Aug 2010 Series: Class 2 Notes

    It's time to get cracking on the combos and choreography! Here are the class notes of what we did in this second class of the series.

    Warm-up & Review

    Basic Movements (in place)
    Undulations
    Hip Slides
    Hip Circle; with quarter turn
    Cross touch


    Traveling
    Cross touch with Undulations


    Choreo/Combos

  • Cross touch (4 x 8ct). Arm lifts to shoulder height on R: 3, 4 and L: 7, 8.
  • Combo 1 cross touch & arms shoulder level:
    Cross touch with Undulation (8ct). Arms extends to 3rd position on 3,4 and 7,8.
    Exterior hip circle db F CW with 1/4 turn to R (8 ct) to face right. Arms at 2nd.
    Repeat starting at cross touch and end facing back.
  • Combo 2 cross touch & arms up:
    Cross touch with Undulation (8ct). R Arm extends to side, L arm extends above on 3,4. L arm extends to side and R arm extends above on 7,8.
    Exterior hip circle db F CW with 1/4 turn to R (8 ct) to face left. Arms at 2nd.
    Cross touch with Undulation (8ct). R Arm extends to side, L arm extends above on 3,4. L arm extends to side and R arm extends above on 7,8.
    Exterior hip circle db F CW with 1/4 turn to R (4 ct) to face front.
    Forward push arm turn. Push forward for 2, turn over right shoulder for 2.

    Cool Down: 5 minutes

    Try to practice at least once before our next class...
    Look forward to seeing you there!
    Lily
  • Wednesday, July 14, 2010

    Music for class

    Hello Dancers!

    Hope you're getting excited about our class tomorrow. For those that want to have the song we'll be working on, you can purchase it on iTunes.

    The song is called "Bosphorus" on the album "New Dream" by the Turkish composer Burhan Ocal.
    On iTunes: http://itunes.apple.com/us/album/new-dream/id79260617
    On Amazon: http://www.amazon.com/Bogazi%C3%A7i-Bosporus/dp/B000QNXLJ8/ref=sr_1_21?ie=UTF8&s=dmusic&qid=1279301359&sr=1-21

    A little about the "Bosphorus"... it is the narrow body of water which separates the European from the Asian part of Istanbul. For me, it's part of what gives Turkey a Mediterranean feel. Here are a few links to info and pics of the Bosphorus.
    http://en.wikipedia.org/wiki/Bosphorus
    http://www.business-with-turkey.com/tourist-guide/bosphore.shtml

    I hope you like it... I'm in love with this song!
    Lily

    Sunday, July 11, 2010

    TFBD Jul/Aug 2010 Series: Class 1 Notes

    Hello Dancers!

    Thank you for attending the first class of this 8-week summer session. We're fortunate to have had the lovely Yasmin substituting the first class. Thanks, also, to those who emailed your class notes in!

    To summarize the brief history and styles talk, here it is in my words:

    The origin of belly dance and what country it came from is highly disputed. Belly dance can be traced back to the Middle East and the Mediterranean. One theory is belly dance rose from childbirth rituals, however, there is no significant evidence. Inversely, childbirth rituals could have risen from belly dance. The dance style and music vary from country to country. Different terms are used for referring to the dance. For example, the Turkish use the term "Dans Oryantal" meaning "Oriental Dance", while the Egyptians use the term "Raks Sharqi" meaning "Eastern Dance". "Belly dance" is a term Westerners have coined and is somewhat a misnomer since the hips are predominately used. Just as there are different names for belly dance, the terminology for the movements are not universal. The shapes and movements, however, are essentially the same.

    At its root, belly dance can be considered a folk dance that has evolved with time and people. In the Middle East, belly dance can be found as a social dance at female gatherings, belly dancers perform with live bands in restaurants and night clubs, and belly dancers are hired as part of a wedding celebration. While Belly dance is generally enjoyed by the people of the Near and Middle East it is not a respected profession because of the conservative ideals that women be chaste and modest. Of which dancing in public for a mixed gender audience as a profession is neither.

    Belly dance was "introduced" to the US in the late 1800's, but it was not replicated in its respectable authentic form until the 1950's when numerous ethnic nightclubs owned and operated by people of the Middle East opened in large American cities like Chicago and New York. The majority of the dancers in these nightclubs were first generation immigrants, and much of the American belly dance legends learned from them. Because these nightclubs had to appeal to patrons from different countries of the Middle East, the dancers had to be proficient in different dance styles. The mixing of different Middle Eastern genres into one performance born the "American Cabaret" style.

    The dance has evolved and continues to evolve, in the Middle Eastern countries and especially in the US. In the 1980's, American Tribal Style belly dance was born in the West Coast by Carolena Nericcio, director of Fat Chance Belly Dance. The American Tribal Style (ATS) blends belly dance, folkloric, Indian, and Flamenco dances... like how America is considered a "melting pot" of cultures. ATS is danced as a group improvisation. There are movement cues which indicate which movement to dance next. There are several other formats which stem from this concept.

    When Jill Parker left Fat Chance Belly Dance and formed Ultra Gypsy Dance Theatre, she began to change the costuming, music, and rules of ATS so that the dances were choreographed and well suited for a soloist. Another pioneer of Tribal Fusion style, Heather Stants of Urban Tribal Dance Company began to incorporate modern dance elements as well as hip hop and other street dance styles. Tribal Fusion style was later popularized by Rachel Brice and her dance company, the Indigo.

    I hope this helps in giving you some idea of how we are where we are today in the belly dance world. I do want to emphasize that in order to progress, you need to know where this dance came from and you need to have a solid dance foundation if you want to be a mover and shaker (no pun intended!).

    Remember that everyone learns differently, and different teachers teach differently.
    My intention for my classes is to share with you the possibilities of belly dance. As the overview above indicates, there are so many aspects to this dance with so many flavors. I believe there is something for everyone. But in order to find what speaks to us, we need to explore.


    Here is a quick recap of the first class:

    Warmup – stretch, plank pose, quadricep squats, push ups
    a. Muscle Identification
    i. Glutes – sit in straddle on ground and use glutes to raise and lower yourself
    ii. Abdominals – lie on back with hand on upper and lower sets of abs (attempt to raise and lower each set of muscles)
    b. Home Position – in a column, stack feet beneath shoulders, tuck hips, knees slightly bent, shoulders back (headlights up!), create small space between each arm and the body.
    Basic Moves
    a. Hips
    i. Sharp – use glutes to snap hips
    ii. Soft – release heel from floor to bring corresponding hip up
    b. Rib Cage Slides – isolate lower body and slide rib cage left to right
    c. Chest lifts – squeeze shoulder blades to lift rib cage; contract upper abdominals to bring rib cage down. Do not use shoulders to perform this move.
    d. Travel while practicing each move.
    Cool down - stretch
    Cat/cow pose, circle torso while standing, bound ankle poses, and seated twists.

    Congrats to Stephanie! You're the contest winner!

    Look forward to seeing you all this Thursday,
    Lily
    http://www.lilybellydance.com/